Everyone has the rights to Carnival except the people. Pan Trinbago cuts off our Panorama semi-finals; a newly formed, unknown copyright organisation warns revellers not to post pictures of themselves or their friends online; the NCBA and the government station wrangle over the streaming of the Parade of the Bands. It’s as if the copyright pendulum has swung completely in the opposite direction with copyright now intersecting with and infringing on people’s basic rights. Continue reading ‘Carnival Copyright Concerns’
WHATEVER our differing views on Carnival, one thing we can agree on is the heights of happiness that the festival engenders at all levels of the society. There is hardly a sourpuss left scowling as the music, the visuals and the spirit take possession of our beings, commanding us to listen, to look, to sing along, to dance and, most of all, to laugh and be happy. Continue reading ‘Carnival is happiness, harmony’
REIGNING Soca Monarch and Road March King Machel Montano was yesterday found guilty by a Port-of-Spain magistrate of five criminal charges of assault and using obscene language during a fracas near the Zen nightclub in Port-of-Spain five years ago.
Montano gasped in the Seventh Court when he was told, he was guilty as charged by Magistrate Maureen Baboolal-Gafoor. He stood next to performing artistes Kernel Roberts, son of deceased Calypso icon Aldwyn ‘Lord Kitchener’ Roberts, 2011 Young Kings Calypso Monarch Rodney “Benjai” LeBlanc and Joel “Zan” Feveck. Continue reading ‘MACHEL GUILTY’
SOCA STAR Machel Montano was this morning found guilty of five criminal offences.
Montano, the reigning Power Soca Monarch and Road March king, along with Kernel Roberts, the son of legendary Calypso icon Lord Kitchener, Joel “Zan” Feveck, a member of Montano HD Family, and Rodney “Benjai” LeBlanc, best known for his patriotic song, Trini, were all charged with a series of criminal offences arising out a fracas outside the Zen nightclub, in Port of Spain in April 2007. Continue reading ‘Machel Montano guilty on five criminal charges’
ON Ash Wednesday, two articles in the Express perked me up. In the first, Planning and Development Minister Dr Bhoe Tewarie, interviewed in the Grand Stand, told reporter Anna Ramdass that soca star Machel Montano “should be leading the charge in selling Trinidad and Tobago internationally”. Vowing to pursue this quest at Cabinet level, Dr Tewarie added, “…I think Machel is in a class by himself… we should try to support an external thrust led by Machel in the world outside…” Continue reading ‘Marketing our music’
I was stuck by Michael Narine’s post, “Culture is a ploy for more state money” and Newsday’s headline “Calypso gets $1M.” With that came a justification from Dr. Hollis “Chalkdust” Liverpool: “This is good for calypso. Calypso is the father of all different genres of music, so they must ensure that calypso gets a good prize. All these other genres of music: chutney, soca, they came out of calypso, so it’s only fair that calypsonians get a good prize.” I will not argue with the doctor’s thesis except to say that at the beginning of the 21st century we may have to revise our accepted concepts of the genre, its influences and the musical forms it has spewed. Continue reading ‘Carnival and Culture’
NOTHING that I wrote last Sunday should be misread as the lament of an “ole geezer” who has had his Carnival day and who now wants to deny others the joy of the festival. Quite unlike some “sourpusses” who see nothing good in Carnival, I believe ours is a unique mix of music, artistry, colour, spontaneity, high-energy, sexuality, conviviality and more, much more. So, as this year’s festival comes to a climax over the next two days, I encourage Trinis-to-de-bone and our foreign guests to “play mas”. Have a whale of a time, but be safe. Continue reading ‘Play mas’
I HAVE been nursing a not-so-quiet anger since last Sunday’s Panorama Semi-finals, and no, it has nothing to do with Despers being omitted from the finals, although I feel “a how” about that. I have asked fellow pan-fans, many of whom, like me, no longer make the pilgrimage to the Savannah, but who, nevertheless, do not miss a note, “How could they show total disrespect to pan, to the thousands who labour in panyards to produce one of the world’s biggest musical extravaganzas?” Continue reading ‘Total disrepect’